DCRP Lecture
Livestream: https://vimeo.com/596714637
Call Me If You Get Lost explores the domestic realm through the front porch. Featuring projects in Miami, FL, the location of Studio Barnes, this lecture highlights themes such as celebration, ritual, family, and love through Black spatial occupation of the front porch. Tangent to the lecture is a film, You Can Always Come Home that furthers the investigation and liberation Blackness in the architected environment. Inspired by the 2021 Architectural League Prize Housekeeping, which challenged participants to acknowledge systemic oppression in labor, gender and race, this film aims to dispel common tropes of trauma, pain and discrimination while promoting joy, delight and self-care.
Barnes’ research and design practice investigates the connection between architecture and identity, examining architecture’s social and political agency through historical research and design speculation. Mining architecture’s social and political agency, he examines how the built environment influences black domesticity.
Born in Chicago, IL Germane Barnes received a Bachelor's of Science in Architecture from the University of Illinois at Urbana-Champaign and a Master of Architecture from Woodbury University where he was awarded the Thesis Prize for his project Symbiotic Territories: Architectural Investigations of Race, Identity, and Community. He believes strongly in design as a process, and approaches each condition imposed on a project as an opportunity rather than a constraint. Architecture presents opportunities for transformation – materially, conceptually and sociologically.
Currently he is an Assistant Professor and the Director of The Community Housing & Identity Lab (CHIL) at the University of Miami School of Architecture, a testing ground for the physical and theoretical investigations of architecture’s social and political resiliency. Most notably, The Museum of Modern Art, The Graham Foundation, The New York Times, Architect Magazine, DesignMIAMI/ Art Basel, The Swiss Institute, Metropolis Magazine, Curbed, and The National Museum of African American History where he was identified as one of the future designers on the rise.